Taylor Swift’s ‘The Life of a Showgirl:’ A Collage of Bland Lyrics and Hollow Aesthetics
“I’m not 14 years old anymore, and her music will be a lot better when she realizes she isn’t either.”
By Milla Kuiper / The Point – PL Nazarene University / Oct 21, 2025
Taylor Swift, to me, used to represent the idea that womanhood could be both glamorous and innocent. Her lyrics were whimsical and clever, the music was fun and my juvenile voice could keep up with hers.
But I’m not 14 years old anymore, and her music will be a lot better when she realizes she isn’t either.
Listening to “The Life of a Showgirl” feels like watching a teenager stand in front of her parents with her arms crossed and a hip popped, saying, “What’re you gonna do about it?”
This would be entertaining if it were Swift’s first stunt like this, if the music was good, and if she weren’t 35 years old.
She already did the “This is who I am now, mom,” thing with “reputation,” and back then, it mostly worked. But “reputation” was feisty, and every song was unique enough to be memorable. Not so with “The Life of a Showgirl.”
My first complaint is that I think the songs are boring, unmemorable, sad-girl pop. The album is called “The Life of a Showgirl,” but there is no hint of the loud, brassy burlesque music characteristic of the New York City showgirl scene in the ‘20s, ‘30s and ‘40s.

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