Author: Jim Miller

“Out there in San Diego
Where the Western Breakers Beat
They’re Jailing Men and Women
For Speaking on the Street”

2012 will mark the 100 year anniversary of the San Diego Free Speech Fight when workers from the Industrial Workers of the World (IWW) along with allies from the rest of labor and the community at large defied a city ordinance designed to prevent them from standing on a soapbox at the corner of 5^th and E in downtown San Diego and speaking. As I explain in Under the Perfect Sun, street speaking was part of a larger strategy for the IWW:

[W]hen the IWW came to San Diego, they sought to turn “bums” into men by transforming the attitude of the town’s small disposable labor force from individual shame and defeatism to solidarity and class anger. Their method was street speaking…

Every 4^th of July, I make sure to fit in a few minutes to put on one of my favorite Dave Alvin songs, “4^th of July” (which is better known as an X song). It’s a bittersweet tale of two lovers trying to make their way through life. After pulling a holiday shift, a man comes home from work to find his lover crying in the dark and he ponders their fate:

On the lost side of town
In a dark apartment
We gave up trying so long ago.
On the steps I smoke a
Cigarette alone.
The Mexican kids are shooting
Fireworks below.
Hey, baby—it’s the fourth of July.
Whatever happened
I apologize
So dry your tears
And baby—walk outside
It’s the 4^th of July

As the Union-Tribune noted in its article on San Diego Noir: “When it comes to the literary genre known as noir—that dark terrain of desire and desperation, of passion and paranoia—certain cities come immediately to mind. Los Angeles. San Francisco. New York. Not San Diego.” Well, not exactly.

While San Diego does not have as rich a literary and/or filmic history as Los Angeles, it too has some noir in its past. In the 1890s, Thomas and Anna Fitch saw Coronado as a suitable location for testing a doomsday weapon in Better Days: Or, the Millionaire of To-morrow. Then famously, in 1932, Edmund Wilson labeled San Diego the “The Jumping-Off Place” as a result of its nation-leading suicide rate….

A Book Review

In Mike Davis’s seminal discussion of noir in City of Quartz he defines the genre as “a fantastic convergence of American ‘tough-guy’ realism, Weimar expressionism, and existentialized Marxism—all focused on unmasking a ‘bright, guilty place.’” Born in the minds of the “Depression crazed middle classes” of southern California, the “nightmare anti-myth of noir” trafficked in alienation and a distrust of the morality of capitalism.

As the mayor’s race continues to unfold, the election season rite of local Republicans trying to morph themselves into “moderates” palatable to the ever-malleable Democratic electorate in San Diego continues. The most recent example of this is Nathan Fletcher’s announcement that he is coming back from Sacramento to save San Diego.

As reported in the Union Tribune and KPBS Fletcher has a vision:

“When I look at the city I see an amazing potential for the future of San Diego over the next decade and I believe I represent a new generation of leadership that can get us there . . . “

In a recent opinion piece in the New York Times, author Jonathan Franzen bemoans the pervasive tendency of more and more of us to get lost on Facebook or to drift away on a video game or some other enticing gadget. We are, he argues, substituting “liking” for love, screen surfing for life:

Let me toss out the idea that, as our markets discover and respond to what consumers most want, our technology has become extremely adept at creating products that correspond to our fantasy ideal of an erotic relationship, in which the beloved object asks for nothing and gives everything, instantly, and makes us feel all powerful, and doesn’t throw terrible scenes when it’s replaced by an even sexier object and is consigned to a drawer.

Less than a week after dodging the end of the world as we know it, Californians were met with the news that Grover Norquist, the hatchet-man of the hard right, had come to Sacramento and was roaming the hallways of the Capitol reminding Republican legislators (all but a handful of whom had signed his notorious pledge to never raise taxes) that bad things would happen if they reconsidered. Norquist, who conservative pundit Tucker Carlson once called “a mean-spirited, humorless, dishonest little creep . . . the leering, drunken uncle everyone else wishes would stay home,” is a darkly looming figure. As Drake Bennett recently pointed out in Business Week…

Back in 1942 the narrator of Jim Thompson’s seminal noir account of San Diego, Now and On Earth observed that:

San Diego, prior to the establishment of the aircraft factories, was not inappropriately dubbed the “City of the Living Dead.” There were no industries, there was no construction; the town’s one asset was its climate. If you were young and wanted excitement and had a living to make, why, the town wouldn’t want you and you wouldn’t want it. If you were old and had a small income or pension, you couldn’t have found a more attractive place to live (or die) in.

In my last column, I ruefully noted that the thought of any revenue increase is verboten in Republican circles, but the same could be said for many Democrats driven by fear of being assailed as a “tax and spend” liberal. Indeed as recent polling suggests, a majority of Californians think the state budget has gotten bigger when, in fact, the general fund spending has shrunk by over $20 billion as taxes on the rich and corporations have gone down. Why the inaccurate public perception? In the final part of “Indy by the Sea” I ask the question:

Where do people get the idea that they are overtaxed in a country where people pay fewer taxes than citizens of most other industrialized countries and have a much smaller “welfare state”?

Come stand with San Diego’s community college students, teachers, and their community allies this Friday, May 13th at 9:00 AM at Assembly Member Nathan Fletcher’s office at 9909 Mira Mesa Boulevard to send a message to Fletcher and his Republican allies that they can’t hold the future of education in California hostage.

Editor: This is Part 2 of Jim Miller’s examination of San Diego as the “Wisconsin of the West”.

While the web of right wing, corporate-funded think tanks are clearly feeling their oats in the Scott Walker era, their rise was a long time in the making. They were, importantly, the intellectual replacements for unreliable “liberal” universities where the state-funded intellectuals could not be counted on to carry the water for the corporate class.

A couple of weeks ago local Republicans held their unity night at the Kona Kai Resort where notables such as Jerry Sanders and Kevin Faulconer cheered as Carl DeMaio asked if they were ready to make San Diego “the Wisconsin of the West.” They, along with the Chamber of Commerce, the Taxpayers Association, the Lincoln Club and other luminaries of the local right were getting fired up and ready to go for a ballot initiative that would undermine collective bargaining rights for unionized public sector workers in San Diego.