Author: Ernie McCray

By Ernie McCray

A few days before my 77th birthday – “Hip-Hip! Hooray!” – I stepped into the Big Kitchen Cafe and the Rascal’s were “Groovin'” on the stereo and I couldn’t help but go back into time to when that song played in the background of my life.

By Ernie McCray

I sat at a Catfish Club luncheon the other day listening to Leon Williams and Reverend George Walker Smith converse about days of yore and their thoughts about today’s world.

Leon was the first black to hold a seat with the San Diego City Council and the San Diego County Board of Supervisors.

By Ernie McCray

A couple of weeks or so ago I dined with a number of friendly folks at a RISE Urban Breakfast Club forum that asked, concerning Community-Police Relations, “Can we build a safer San Diego together?”

The answer seemed to be “Yeah, we can,” …

By Ernie McCray

I look around me,
breathing in deeply
as I reflect on the totality
of what I see.
Before me, a man lays sleeping
on a downtown street
that jumps with a crisp
four/four time Hip-Hop beat,
bouncing from an upbeat retreat,
where folks hang out,
chillaxed to the max
as it’s the “Thank God it’s Friday,”

By Ernie McCray

I’ve attended many a wedding in my life, even conducting a few in rhythm and rhyme that got people to say “Hey, that was pretty nice.”

But I have never witnessed a marriage that was as special as the one I showed up for on the last day of this past February.

It was beyond nice. It was magical. Sweet. Soulful. Teary. Poignant. Smiley. Earthy. Inspiring. Cosmic. Fun. Invigorating. Both lighthearted and sincere. A journey “home” proceeded over by the groom’s brother-in-law.

By Ernie McCray

I love my life, especially my moments with kids. Recently I had the pleasure, along with a teenage Latina friend of mine, of talking to an assembly of young people, most of them Latino, in Chula Vista, about something they’re confronted with regularly: whether to join or not join the military.

We were doing so because we hate to see our children being sucked into the war machine by Uncle Sam who loves to play with their innocence.

By Ernie McCray

I was driving and turned my radio to 89.5, KPBS, and there was a conversation going on about “7 Billion Others,” an exhibit that’s opening in the U.S. for the first time – at San Diego’s Museum of Photographic Arts (MOPA): February 21 to September 13.

I liked what I was hearing and googled around and found, on the MOPA website, 45 questions written for visitors to the exhibit to answer so that they can find in themselves that spark that resides in us all and connects us to the journey of human beings featured in the video project.

My answer to the first question was: Ernest Charles McCray; age 76; retired school principal; widower; American as in United States of America.

Here are my replies to the other questions, based on what first came to my mind:

by Ernie McCray

When I look back at my own little chapter of Black History, I feel grateful that I found a path that enabled me to survive a society that sought to deny me a life of dignity.

I, unknowingly, set out on this path on my first day of school, when my knuckles were, seemingly, knocked to kingdom come because I had dozed off, as if I had a choice in a room sizzling at 100 and some degrees with a fan (itself struggling to stay awake) blowing across a pail of water as though that could lower the temperature in that room to any degree. I swear I heard that fan wheeze. Talking, Tucson, Arizona, August or September of 1943.

I remember thinking, back then, as I looked at my hands, surprised to see my knuckles still there, “What the hell kind of welcome was that?” And I knew, as much as a five-year old can know such things, that someday I would be a teacher.

I would observe goings on in every school I ever attended, thinking of what I might have done differently if I had been the teacher. I’d imagine how I would have made lessons come alive, or more relevant to students’ lives.

By Ernie McCray

Katy Perry came out singing to a funky beat.
Next thing I know I was up
dancing on my old ass size 14 feet.
Every thing was mellow and sweet,
coming out the speaker in four-four time,
and, before my behind
got reassigned
to that chair of mine
at the end of halftime,
I was jamming
with Lenny Kravitz
and Missy Elliott too,
who looked like she had been cut in two,
since the last time I had seen her
doing the do.

By Ernie McCray

The Playwrights Project has been producing plays written by dramatists, under age 19, for 30 years.

It all begins with the California Young Playwrights Contest, a statewide competition.

This year there were 581 entrants, way more than usual, and the stories of eight extremely talented writers made it to the stage – at the Sheryl and Harvey White Theatre at the Old Globe, no less.

Four of the plays earned full production and four are performed as staged readings – and I mean “staged,” because the Playwrights Project has no bounds when it comes to creative performances.

By Ernie McCray

Martin Luther King. A loving man with the loveliest of dreams. After seeing “Selma,” which told the story of that chapter in the Civil Rights Movement powerfully well, I just had to write something about this dear man.

I didn’t know what I wanted to say until I happened upon a caricature that captured the very essence of how I often see him in my mind’s eye, as I think of him every now and then. How can I not in this world we live in?

The pose he struck in the portrait made me wonder what was going on in his head and based on what my friend, *Rabbi Ben Kamin, recently had to say about him in an examiner.com essay, he could have been thinking about a range of things.

By Ernie McCray

This New Year, 2015, was already moving along nicely for me, but it shifted into high gear the other night when Maria and I went to see the San Diego RepertoryTheatre’s “Steal Heaven,” a play written by one of my favorite theater artists, Herbert Siguenza. This multitalented actor, playwright, director and producer is a founding member of Culture Clash, a performance group known for its rich satirical look at the world and its politics – from a Chicano perspective. I’ve loved everything they’ve ever done.

Siguenza’s “Steal Heaven,” was right in line with all his good work and it was just what I needed as I look forward to, hopefully, a long future of trying to change this world into a more civil home for human beings. I know, good luck with that, Charlie, but it’s what I wake up every morning to do.