‘The Big Lebowski’ and Its Dudeness

by on December 30, 2009 · 4 comments

in Culture, History, Satire

Big Lebowski

Jeff Bridges, left, and John Goodman in “The Big Lebowski.” Jeff Bridges as the Dude in the 1998 film “The Big Lebowski,” has crept into cult popularity over the last decade. Photo: Merrick Morton/Gramercy Pictures

Joel and Ethan Coen’s 1998 movie, “The Big Lebowski,” which stars Jeff Bridges as a beatific, pot-smoking, bowling-obsessed slacker known as the Dude, snuck up on the English-speaking world during the ’00s: it became, stealthily, the decade’s most venerated cult film. It’s got that elusive and addictive quality that a great midnight movie has to have: it blissfully widens and expands in your mind upon repeat viewings.

“The Big Lebowski” has spawned its own shaggy, fervid world: drinking games, Halloween costumes, bumper stickers (“This aggression will not stand, man”) and a drunken annual festival that took root in Louisville, Ky., and has spread to other cities. The movie is also the subject of an expanding shelf of books, including “The Dude Abides: The Gospel According to the Coen Brothers” and the forthcoming “The Tao of the Dude.”

Where cult films go, academics will follow. New in bookstores, and already in its second printing, is “The Year’s Work in Lebowski Studies,” an essay collection edited by Edward P. Comentale and Aaron Jaffe (Indiana University Press, $24.95). The book is, like the Dude himself, a little rough around the edges. But it’s worth an end-of-the-year holiday pop-in. Ideally you’d read it with a White Russian — the Dude’s cocktail of choice — in hand.

More than a few of this book’s essay titles will make you groan and laugh out loud at the same time (“ ‘The Big Lebowski’ and Paul de Man: Historicizing Irony and Ironizing Historicism”). But just as often, the writing here is a bit like the film: amiable, laid-back and possessed of a wobbly Zen-acuity.

In one essay Fred Ashe — he is an associate professor of English at Birmingham-Southern College — profitably compares the Dude to Rip van Winkle, for both his “friendly charisma” and what Washington Irving described as Rip’s “insuperable aversion to all kinds of profitable labor.” Both men, Mr. Ashe notes, expose “the sickness of a straight society premised on the Puritan work ethic.”

In another, “On the White Russian,” Craig N. Owens — he teaches literature and writing at Drake University in Des Moines — divides the world into two factions: those who float the cream on their White Russians (“the floaters”) and those who mix it in (“the homogenizers”). He praises the Dude’s “middle way,” avoiding the hassle of “shaking and straining.”

For the remainder of this article, go here.

{ 4 comments… read them below or add one }

Frank Gormlie December 30, 2009 at 1:59 pm

Definitely one of my fave movies – seen it at least half a dozen times.


Editordude December 30, 2009 at 5:04 pm

I approve of the dudeness and will stick to it.


Rob January 1, 2010 at 2:49 pm

The Dude abides.


Dave Gilbert January 8, 2010 at 10:39 pm

Jeff Bridges new movie Crazy Heart is really good! It opened today over at the Landmark in Hillcrest and I highly reccomend it. Anders Wright at City Beat did a review of it and while I disagree about Colin Ferrel being a miscast, he’s pretty right on with his review.


Leave a Comment

Older Article:

Newer Article: