By Anthony D. Romero / ACLU
Surveillance reform, like marriage equality, will come about because of generational change
About a year ago, a thirtysomething sculptor in Los Angeles began working on a bust of Edward Snowden. When he was done, he shipped the bust to his artist friends on the East Coast. Just before dawn April 6, the artists crept under cover of darkness into Brooklyn’s Fort Greene Park and installed the 100-pound bust atop a Revolutionary War memorial.
“We chose to pay tribute to Snowden through the medium of a bust because that is one of the visual pieces society uses as a guidepost to who a hero is,” one of the artists said in a video released after the bust was installed.
By 3 p.m. the New York Parks Department and police had taken the bust down. But the next morning, a different group of artists cast a holographic image of Snowden where the bust had stood.
The message to the authorities could not be clearer: Snowden is not going away.